Rowan is marked up for Visual Effects

Rowan is marked up for Visual Effects

I would have posted yesterday if I hadn’t been so tired. Yesterday was our final big shoot for series one of The Winding City, and what a day it was.

 

I had, as usual, an insanely ambitious schedule planned – in excess of 11 minutes of footage to be shot over the course of the day, outside, with no lighting.

Just like Saturday, the Fates seemed to shine on us and provided excellent sunlight all day long. Of course this is both a blessing and a curse – as it can cause the image to blow out from there being too much light.

But after having watched through the dailies with Nick, we’ve found the footage to look pretty good.

We were EXTREMELY fortunate to have Phil on location again and helping with the fight scene – which came across amazing. Rowan looks suitably kick ass in the sequence, and once we have added some sound effects and background music, it is going to look incredible.

It helped that Phil is a professional fight choreographer and trainer, and a world master martial artist. He also is a very cool guy who is both patient and friendly. He made a great effort to remember everyone’s names and always made the cast feel at ease.

 

Rowan fighting the Masques

Rowan fighting the Masques

We had a number of extras this time who all ran and dodged and fell down – they had to spend a couple of hours sitting on blankets in the sun, but when we needed them to be on film, they definitely put their all into it.

 

Our main cast were, as always, brilliant. Given that this was probably the last time they would be working together on this project for a while it was really cool to be able to get the group together for one last time until the planned launch party.

Yesterday was another day that left me feeling like I was becoming more than an amateur film-maker, thanks to the input from professionals like Bernice, Rowan, Norman, Elliot, Kerina, Phil… At no point did I feel that we were some small group of wannabes making a vanity film – the whole day felt like a genuine professional project. It’s moments like those that I feel humbled rather than full of myself – because I have managed to gather genuinely talented people together to make something that is not some little forgettable project. This really felt like the real deal.

We had a lot of hikers, families and bikers stopping to watch the filming as well – and a lot of positive comments were made about Jackie’s costuming of the Masques – our villains of the piece. She did a fantastic job of designing creepy costumes – and the claws look incredible. 

I even had to ring the police to advise them that we were shooting a fight sequence, which was kind of cool – at that moment I felt like a real producer.

Of course, I worried all day about how everyone felt – that they were annoyed at me for keeping them around rather than letting them go, that kind of thing. But I was constantly being reminded that everyone was happy to be part of the project. Bernice has asked me to help with a project she’s working on – which I am already getting excited about – and Kerina told me that she would be keen to work on anything I did in the future regardless of the future of The Winding City.

 

Bernice, Kerina, Jenni, Dayle, Lynn and Angeline look on as the fight breaks out...

Bernice, Kerina, Jenni, Dayle, Lynn and Angeline look on as the fight breaks out...

 

 

Coming from professional and experienced people in the industry, that is an incredible compliment. Not only of my work on the Winding City as a script, but on how I’ve managed to put together the shoot and the series. As I noted before, I worry a lot about the mistakes I make and it helps to know that I have the talent to grow in this industry and have others confident in my ability. It has been this positive and practical reinforcement that has kept me going thus far, and is driving me to see this show through to the end.

It has also inspired me to start working on the second series of The Winding City now – just the initial treatments, no scripts just yet. I will have more than enough work to do with Post-production.

Something that I have learned that has been advised to me many times now is that you never can afford to be full of yourself. Film-making is  constant learning experience, and there is always something new to discover. I find it interesting to hear about those people in the industry who get cynical about their jobs and position – who kind of buy into their own self importance.

I hope that as I work on this project that I never get like that. While I may be one of the hardest working people on this project – that is solely because I have set that work for myself. Simply put, it takes everyones input to make a successful show. While some people may be the heart, others are the legs, the brains … you get where I’m going with this… 😉

Like I said, when I realise how professional this project has become since the early days when I was just going to do a small 7 minute piece with Gino, I feel humbled. Yes, I’m proud of what I have achieved, and how I have managed to bring it all together.

 

One of the Masques hangs out for a while

One of the Masques hangs out for a while

 

 

But that is because I have listened and learned from people like Dan, Norman, Phil – all the people who have patiently explained to me what needs to be done, how to do it. And also because of a little luck as well. Having a friend like Norman, with his contacts – managing to meet people like Bernice and Kerina who have been able to call on their contacts – Morgue, without whom I would never have met Dan who has been a major driving force behind my work and has been a constant source of positive energy, encouragement and professional advice…

That was what was going through my mind yesterday as we shot a lot of last scenes for many of our cast. The feeling and realisation that we are so close now to having the series in the can and now having a full FOUR EPISODES shot.  There is over four hours of footage on film. If we combine all four episodes is comes to almost over an hour of actual screen time once the show has been fully edited – maybe more!

It’s really exciting! Keep posted as I will be updating our progress now through the post-production and publicity phase. 🙂

Conan

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