You are currently browsing the tag archive for the ‘The STS Project’ tag.

So The Winding City is slowly moving forward as a project. I had a fantastic talk today with Stacey from Film Wellington, and arranged some permits for our next shoot. While I was talking to Stacey, a couple of things occurred to me.

Firstly, the next project I do will be a lot more organised. Don’t get me wrong, The Winding City Project has been organised and is far from the chaotic mess that some film projects have been. But I am making note of where I, personally, can improve my productivity. Permits and timelines. The next project – be it Winding City Series 2 or some other web production – will be a much tighter ship.

Which leads me to my second realisation today. I want to do this on a regular basis. I love the entire process, and if The Winding City can generate enough capital, I would like to leave my job and work on web shows or the like full time. Of course that is wishful thinking, but I will definitely be doing another project once The Winding City has hit the net. I have two series in mind, both are less ambitious in some ways and more ambitious in others.

Talking with Stacey has been very educational. It is interesting to hear how various film crews approach on location shooting. Many are professional and organised, others are film school students who seem to not realise that complexity of organising exterior shoots.

I have to admit, there is this desire to just get out there and shoot the piece – but due to the potential inconvenience and trouble to the public, you need to make sure your ass is covered. That’s kind of what permits are about – it’s about letting the council and public services know what you intend to be doing. Film Wellington does a great job of making sure you get suitable locations and support to ensure both a successful shoot and minimum hassle to the public.

It would appear that some crews believe that 25 people for a shot on a footpath is a small crew. But there are logistics that need to be considered – where are these 25 people going to be standing? What about public wanting to use a public walkway? How many cars? Are there going to be trucks? Who will be making sure nobody gets hit by a car?

We’re going to be facing these issues, and I have  a potential cast and crew of eight people at last count.

And I still haven’t finished organising exteriors… so much work and so little time. 🙂

Conan

Advertisements

Recently I have found myself developing a new web show in my head. It’s another one of my long standing concepts that has been bubbling away for about five years. With the WC Project well underway now, I’m finding myself keen to get STS through the treatment phase.

It’s a bit of a challenge to take on a new show while you’re still working on a project – and I really want to make sure that I get STS roughly sketched out in my spare time. The WC Project’s scripts are now complete, and so from a writing perspective I have a little window of opportunity to start laying the foundations of STS before I have to get on to other WC issues.

But here is the problem.

STS is a comedy-drama set in pretty much real life. It focuses on a single character (partially autobiographical) and how he becomes involved with a large number of people in his search for meaning and love.

The problem is… and this is kind of embarrassing… names.

I’ve been trying to think up names for all the characters – and I’m drawing blanks. I had Sean McCarthy – but that sounds kind of naff. The main character needs to have a kind of iconic name, something that rolls off the tongue and when you hear it you will think of this show.

Like Ally McBeal, Mary Tyler, Chris Rock – those kind of names that no matter how quirky – they just stick in your head.

Then I need to flesh out all of the main character’s friends and family – again, names… but also personalities. I don’t want to just copy-paste people I know.

I want to be making a bit of a subtle statement with STS.

The WC Project is actually carefully developed to contain messages about identity and responsibility – nothing that is in your face or immediately obvious. Instead, if you stop and think about the situation, the characters, the creatures… there is an allegorical/metaphorical tale being told.

I want STS to have something similar – which means that the characters need to be carefully crafted to represent ideas while also still coming across as real people rather than obvious metaphors.

A difficult juggling act, I can tell you. With WC, I have no idea how much of my intended undertones were successfully subtle or even noticeable. STS is, in some ways, even more challenging from a writing perspective.

The thing is I also have two other show concepts that I want to explore as well… so it is proving to be a case of loads of starting points – but a challenge to get any of them fleshed out at the moment…

Anyhow… this week while I’m in Auckland, I’m hoping to develop STS a little further. One benefit of STS is that it would be considerably easier to shoot than WC. No visual effects. 😀

Conan

November 2017
M T W T F S S
« Nov    
 12345
6789101112
13141516171819
20212223242526
27282930  

Tweeting away

Error: Twitter did not respond. Please wait a few minutes and refresh this page.

Top Posts

Blog Stats

  • 13,381 hits

Pages